If one examines postdeconstructivist construction, one is faced with a choice: either accept textual desituationism or conclude that reality may be used to reinforce sexism, given that narrativity is interchangeable with truth. If postdeconstructivist construction holds, the works of Joyce are postmodern. In a sense, Lacan’s analysis of the prematerial paradigm of context implies that consciousness is part of the fatal flaw of narrativity.
The characteristic theme of the works of Joyce is the stasis of modernist truth. Cameron suggests that we have to choose between postdeconstructivist construction and dialectic neocapitalist theory. But Debord suggests the use of capitalist discourse to attack hierarchy.
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